The Electric Lungs
I Heard a Lion
Full Bloods, Steady States
Sat, May 12, 2012
Doors: 3:00 pm / Show: 9:00 pm (event ends at 2:00 am)
Czar Bar
Kansas City, MO
$7.00
Tickets
This event is 21 and over
http://www.czarkc.com/event/116145/I Heard a Lion

"No neon face paint. No ironic hipster gimmicks. Just soulful Americana".-Josh Hafner
"In the front room of the central Wichita home, a five-piece rock band from McPherson plays at decibel levels usually associated with artillery or jet engines." Joe Stumpe, Wichita Eagle 10/24/10
Band Interests
Self representation of sound
Artists We Also Like
Dignan, As Cities Burn, Colour Revolt, Margot and the nuclear so and so's, David Bazan, OTEP
"In the front room of the central Wichita home, a five-piece rock band from McPherson plays at decibel levels usually associated with artillery or jet engines." Joe Stumpe, Wichita Eagle 10/24/10
Band Interests
Self representation of sound
Artists We Also Like
Dignan, As Cities Burn, Colour Revolt, Margot and the nuclear so and so's, David Bazan, OTEP
Full Bloods

Fullbloods is a rock and roll band pulling inspiration from all corners and time periods of the genre. The band consists of four trained audio engineers who pay respect to conventional rock and roll and aren’t afraid to beg borrow or steal, consulting a smattering of western and surf music along the way.
Steady States

Steady States began as a casual jamming project between Mark Lewis and Kyle Anthony (formerly of Mother Culture). After a while, some song ideas developed and they decided to form an actual band. After some false starts with different drummers, they settled on Bob Comire (formerly of Albany NY’s Last Call) whose solid, powerful, hardcore punk-informed drumming perfectly complemented Kyle’s melodic bass lines and Mark’s angular, dissonant guitar riffs. The lineup was solidified in February 2011 with the addition of former Ste. Simone guitarist Joel Shields on vocals and guitar. Joel’s unhinged and oddball vocal sensibilities turned out to be well-suited for the band’s strangely natural-sounding mix of hardcore, noise and post-punk skronk.


